I’ve collected enough articles that it’s time to share a few more, beginning with one that’s a little metaphysical in tone. The 5 Tips To Find Your Authentic Writing Voice start out sounding a bit vague and theoretical but end on a concrete note. They’re worth your time to read—especially, in my opinion, #4.
Next we have a brief, practical bit of advice that the folks at Camp NaNoWriMo put together when asked, “How can you be sure that your plot is actually compelling, and not just a pile of stuff that happens?”
That’s followed by one that’s more of a list than an article. Here are 25 Brain Lubricants For Generating Ideas. Two near the middle stuck out to me.
- Get Fearless: What if you could do, say or write anything? It’s just an exercise, so fear not. Step outside of your comfort zone. I think this is excellent advice. Sometimes I have an idea, but then I don’t run with it because I think other people will think it’s silly. I need to remind myself more often that it’s okay to write something that I don’t want to share with anyone else. Confidential writing isn’t limited to the arenas of diaries and classified military files; sometimes it’s okay to do creative writing for your eyes alone. And sometimes a creatively crazy idea becomes just the inspiration you need to get out of a rut. The major twist in the novel I’m writing was born out of an April Fool’s joke, of all things.
- Get Unsatisfied: Look at a satisfactory solution all over again and challenge it. Dismiss it. Find another path that make take you even further. The good is the enemy of the best, right? If we think that we have found a good way to write a scene (or a character’s motivation, or a setting description, or…), we may never discover the best way to write it.
The fourth item is from Writers Write. They’re based in South Africa, and I always find it inspiring to think that writers half way around the world are using many of the same techniques we are here; good writing has very universally-applicable principles. This article teaches you how to Keep Calm and Kill Clichés. There’s not a whole lot to it, but I still recommend reading it because it comes to a strong conclusion: “When we use jargon or clichés, we create fuzziness around the image or emotion we’re trying to get across. Be as specific as you can be and authentic as you can be. Every word must have your blood in it – anger, irony, admiration, etc. Don’t make it look like everyone else’s.“ I usually try to avoid clichés because I think they’re annoying and make writing sound amateur, but I hadn’t ever thought about that deeper reason to avoid them. As a bonus, here’s a link to a site where you can build your own keep calm and…whatever poster.
Another blogger at Writers Write shares What Watching Disney and Pixar Teaches About Writing Suspense. What single component do 10 of the most well-known Disney/Pixar movies have in common? You’ll have to read the article to find out! And read the article you should, because it’s something you clearly can apply to your writing too, if only you have it in mind.
That pretty much does it for April’s articles, but I promised info on May’s events as well. First, we have the GLVWG monthly Writers Cafe coming up next Thursday, the 8th. It’s at 7pm at the Palmer branch of the Easton library, and Nicole is organizing dinner beforehand at Wegmans (just down the road on 248) at 5:30 – thank you, Nicole! And later in the month, I’ll be hosting the next Writers’ Salon on Thursday the 29th. This time we’ll be focusing on setting (and anything else you’d like to discuss).
Lastly, for a bit of humor, check out this game that explains How to be a writer.